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‘DIY’ tips for I Ching divination

Book of stories: myth and legend

This entry is part 2 of 3 in the series Book of Stories

If you think about it, some stories play a big part in our conversation even though we never tell them in full. With a story everyone knows, you don’t need to tell it, you only need to allude to it. So ‘No, he isn’t Prince Charming’ becomes a short way of saying, ‘This is not the story of Cinderella: he isn’t going to single you out, lift you out of your humdrum existence into a palace of happily-ever-afters…’ and so on. We do something similar if we talk about Londoners reacting stolidly to terrorism with ‘the Blitz spirit’, or if we call a source of temptation a ‘serpent’.

Alluding to our shared stories is a tremendously succinct way to invoke a lot of meaning in just a word or two. Naturally the Yi – possibly the most succinct book in the world – uses this.

Only this makes for tricky moments in interpretation, because story-sharing is a tenuous thing. Even in the examples I just gave, the ‘serpent’ won’t mean so much to you if you’re not from a Judaeo-Christian culture, and my idea of ‘Blitz spirit’ is already a lot hazier than my father’s might have been, because he was there to help clear the rubble. (He never mentioned any ‘spirit’, but I’ve inherited his fear of the sound of air-raid sirens.) In fact… if you’re younger than I am, or American, the Blitz probably isn’t a ‘shared story’ at all.

So if I can’t even be sure what stories I might share with readers of this post, what are my chances of knowing what stories might have been shared by the first users of the oracle? And in readings, when do I get to say, ‘Here Yi is clearly referring to this story,’ when is it better to stick with, ‘This would probably have reminded a contemporary reader of this story,’ and when am I just making stuff up?

Inscription in the base of the Kang Hou Gui (British Museum)Scholars look at historical records and other ancient texts and find possible allusions. For instance, we can be fairly sure that the prince receiving horses in Hexagram 35 is Prince Kang, because of the inscription on this vessel. SJ Marshall read the history of the Zhou conquest and identified the name of Hexagram 55 with the garrison capital Feng; Stephen Field, because he’s also translated Tian Wen (‘Questions of Heaven’, a poem made up entirely of questions about Chinese myth and cosmology) is especially well-placed to recognise its characters and stories in the Zhouyi. (In fact his book is a superb source – the best I know – for both historical and mythical allusions, and gives far more detail than other sources.)

So the diviner sits on the back of the scholars, like the wren riding the eagle, and finds she can give people new stories to think in – an essential part of divination. On the face of it, the question for a diviner seems to be less ‘can I know this is a real reference?’ and more ‘will this help?’ But I’m still careful only to tell the stories I’m sure of, and ignore associations that seem to be simply the translator’s invention. Stories are powerful things – and people base their understanding and decisions on what the oracle says – and the only thing I can be sure will help, frequently in ways I can’t imagine, is what the oracle says. Diviner beware.

Here are some stories I would definitely tell as part of a reading:

The Zhou Conquest, of course, the book’s one big unifying story: the modest little Zhou people receiving the Mandate of Heaven to overthrow the Shang rulers. This is recent history for the book’s first users, rewriting their whole world, and it colours the ancient text vividly: crossing rivers, the struggle in the northeast, western neighbours, strange alliances, the long historical resonances of the marriage of King Yi’s daughters (no wonder 11.5 changes to 5!), and of course the big moments: 49, 55.

Linked with this story, there’s Prince Ji in 36 and his mirror image, Prince Kang, in 35. Then Wu in 55 also has his reflection from a much earlier time: the Shang progenitor King Hai in Hexagram 56 (and 34, and maybe also 23).

And reaching further back into mythical times, there’s Yu the Great, conqueror of floods and banisher of demons, limping on through 8, 39, 43 and 44.

A wren from the British LibraryI think those are the stories I would rely on, though there are plenty of other tantalising hints, and there must surely be much more that we’ve lost. Perhaps a contemporary reader would have known who was attacked by bandits in 5, or who shot the hawk in 40.6…

Yijing, Book of Stories

This entry is part 1 of 3 in the series Book of Stories

This entry is part 1 of 3 in the series Book of StoriesStories are a big part of how readings work. When we’ve gone round and round the situation a few (dozen) times in our thoughts, and everything is stale and stuck, Yi says, ‘Imagine, it’s as if…’ – and everything changes. How I got… Continue Reading

Questions of choice

I spend a lot of time thinking about what we ask the Yi and helping other people find their questions. This is a bit odd, because finding the question really isn’t complicated at all. It’s not a matter of devising a question nor even really of deciding on one, but of finding it: discovering what you’re… Continue Reading

Hexagrams and their scale

I started work recently to research a post on Hexagram 23, Stripping Away – a hexagram of loss, whether that means painlessly shedding what’s outlived its usefulness, or having something you’re very much attached to torn away. Looking through a dozen reading experiences with this one, I was struck again by how much hexagrams don’t describe… Continue Reading

You vs Yi? What if the reading feels wrong?

It’s not uncommon to have the experience of a reading confirming what you already know – even if you hadn’t quite acknowledged that you knew it. But what when the reading simply goes against what you feel is right? You’re drawn to do something, you’re excited about doing it, your intention’s taking shape… and you ask Yi,… Continue Reading

Just one thing

Just one thing

I spend a lot of time exploring and writing about the endless depths of Yijing readings. There are those little seeds of meaning hidden in the etymology of individual characters, the long resonances across the structure of the Sequence, the pictures to be painted with trigrams and stories to tell with nuclear hexagrams, the mythical… Continue Reading

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