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close-up of tiger fur

Three tigers

Chinese tigers Tigers have been prowling through Chinese thought and folklore for many thousands of years. Their meaning is interesting: not just wildness and danger, though of course they might eat you, but also courage and protection against evil – from the wild boar that would eat your crops, and… Read more »Three tigers

close-up of the face and teeth of an angry tiger

There is danger: fruitful to stop

This entry is part 3 of 3 in the series Yi and Artificial Intelligence

I wrote a bit before about the dangers of AI interpretation that it might, as 26.1 says, be fruitful to stop: its inaccuracy with hexagrams and text; the peril of having an interpretation handed to you without ever engaging with the imagery yourself; and finally, its lack of emotional engagement.… Read more »There is danger: fruitful to stop

too many diamonds to count

Hexagrams in conversation

This entry is part 7 of 9 in the series Hidden gems

In my last post, I mentioned all the meaning packed into a tiny space in Hexagram 56, line 6. The nest is burned, line 6 changes, and you can see the bird flying away, into Hexagram 62. Because the Yijing’s lines move, it creates this kind of magic all the… Read more »Hexagrams in conversation

Two-line changes

This entry is part 4 of 9 in the series Two-line relationships

If you’ve been working with Yi for a while, you’re probably familiar with the idea of looking at the hexagram each individual moving line would change to on its own, to give you a better context to understand its meaning. You might have heard them referred to as zhi gua,… Read more »Two-line changes

Casting the Vessel, so… (part 2)

This entry is part 3 of 5 in the series Casting the Vessel

I’ve been looking at the patterns that take shape within the ‘container’ formed by hexagrams 3 and 50, and wondering what they might mean. Here’s a bit more wondering. It looks as though hexagrams 3 and 50, living energies and vessel, form a mould, within which an individual life (or… Read more »Casting the Vessel, so… (part 2)