Clarity,
Office 17622,
PO Box 6945,
London.
W1A 6US
United Kingdom
brambletoad
visitor
- Joined
- Nov 15, 2011
- Messages
- 22
- Reaction score
- 0
Dear Fellow Yi Watchers:
I've gone and done it -- here I am new to you guys, and hoping to make a good impression, and here I go and ask a relationship analysis question
Briefly, it's about whether 23.3>52 can mean that someone who has shown a strong fascination with women of another race, but always married his own race, is making a decision to cross the Rubicon o' Love.
THE SITUATION
The Querent (me) is female. The Subject's a male. Male, whom we'll call Y, is highly conservative socially and ecomonically, but claims he is progressive and not a racist. He writes plays for Broadway. He has written many plays where people of a specific race are often shown in what members of that race feel is a consistently ugly and negative light. Y is divorced again after three unsuccessful marriages to women who share his race. Their shared race was not a factor; instead, sometimes different people just want different things -- and relationships are tough for anybody.
Female, whom we shall call me -- er, I mean X -- is a woman from another country who is a rising playwright and a member of the race Y has depicted negatively in his plays. X is considered stunningly beautiful (though she would definitely disagree!) and consistently attracts guys of Y's ethnic persuasion. Despite herself and the way he shows her people onstage, X thinks Y is cute and wants to learn more about him.
X has brazenly contacted Y's publicist and invited Y out for a newspaper interview over coffee to lure him closer and see how his mind ticks: whether he is actually racist or simply not interested. X's friends admire the craftsmanship of Y's plays but feel he is a bigot and will not reciprocate X's attraction. Yet X has an unshakable feeling Y would make a good match and that checking this is the correct thing to do.
X has learned Y Googled her and read a recent article about X in the New York Times that includes a very flattering color photograph. Not to generalize, but it seems that for men, physical attraction is all that is required to start a gentleman's engines, so if anything will lure him, that photo will. But did it? Will it?
THE CASTING
I asked, "Did Y find X physically attractive?"
Resulting Hexagram: 23
Moving line: 3
Hexagram 23 is usually translated as "Splitting Apart", and the title strikes dread in the beginning Yi student who hopes to pull a loved one closer. I'm in my forties, and I have a different take. I've come to The Pool of Online Clarity Wisdom to see if any wiser minds agree with my analysis or think I'm wrong as wrong ever was. I think this Hexagram does not say, "He finds you repulsive because you are the wrong race" but rather:
"Something about you has awakened the desire in this man to stop living his life as a lie and come out in the open about an attraction that has long secretly tormented him. Seeing your photo has made him think It's time for him to go after what he wants and has always wanted, and he thinks you may be the woman to help him do it. He's long been attracted to women of your background, and he realizes he is not getting any younger and needs to live his life the way he really wants to, now, despite what others think, before it ends. He's making a decision to maybe emerge from 'the closet' and date your kind in the open and tell the world what it can do with its disapproval."
AND WHERE I GOT THIS CONCLUSION
Here's LiSe's translation of 23.3:
"6 at 3: Stripping it. Without fault.
To be yourself, living your own life, making your own decisions, you have to break away from all those people (inside or outside) who tell you how to live. Or even without saying anything, expect you to live according to their views. Even if you choose an absurd life - so what? It is your life."
Leading to 53: Resistance
"Find back the roots of your essential being."
Dreamhawk down in Australia interprets 23.3 as Shedding:
"If there is to be activity, let it be that of shedding what is no longer necessary, of dropping activities only habit keeps alive. Rely only on what can sustain itself through the period of stripping away [...] Even those close may depart and be lost. Who or what is to be trusted? Only that which remains when all else falls away [...] To stand outside all one relied upon for support and expression is to feel naked and alone. Nevertheless it breeds great strength. Look beyond fears and doubts to wisdom of spirit."
Y's plays are often, according to interviews with him and the critiques of those plays, thinly veiled autobiographies. He put an interracial scene with a woman of my national heritage in all of them. In the most famous one, he depicted himself asking one out, then panicking wondering what his friends would say, and standing her up. Shortly after, his character undergoes a violent attack and he reflects in guilt, making it appear the attack was divine punishment.
At the same time, other stage characters of his use offensive names for people of my heritage, and our men are all shown as criminals, and often hanged or shot, which is troubling. As a playwright too I understand what we depict our characters doing does not always reflect what we ourselves believe as writers or people, so I am giving him a little latitude. However, all his wives have been white, so that worries me. He could just be a highly conflicted bigot and I could be opening myself up for some real hurt.
His two closest male buddies are both married to women of my ethnicity! One, and his wife of another race, became a new father two days ago. He was present at the birth and saw in front of him clear proof an interracial relationship can work and that the off-spring are human.
THE HOT BURNING QUESTION O' LOVE:
Is 23.3 an indication Y is having a John Lennon/Yoko Ono moment now that he knows what I look like, and he's beginning to think I'm his "girl with kaleidoscope eyes"?
Or is 23.3 saying, "Racist. Get over him"?
Love,
Your Brambledeetoady
I've gone and done it -- here I am new to you guys, and hoping to make a good impression, and here I go and ask a relationship analysis question

Briefly, it's about whether 23.3>52 can mean that someone who has shown a strong fascination with women of another race, but always married his own race, is making a decision to cross the Rubicon o' Love.
THE SITUATION
The Querent (me) is female. The Subject's a male. Male, whom we'll call Y, is highly conservative socially and ecomonically, but claims he is progressive and not a racist. He writes plays for Broadway. He has written many plays where people of a specific race are often shown in what members of that race feel is a consistently ugly and negative light. Y is divorced again after three unsuccessful marriages to women who share his race. Their shared race was not a factor; instead, sometimes different people just want different things -- and relationships are tough for anybody.
Female, whom we shall call me -- er, I mean X -- is a woman from another country who is a rising playwright and a member of the race Y has depicted negatively in his plays. X is considered stunningly beautiful (though she would definitely disagree!) and consistently attracts guys of Y's ethnic persuasion. Despite herself and the way he shows her people onstage, X thinks Y is cute and wants to learn more about him.
X has brazenly contacted Y's publicist and invited Y out for a newspaper interview over coffee to lure him closer and see how his mind ticks: whether he is actually racist or simply not interested. X's friends admire the craftsmanship of Y's plays but feel he is a bigot and will not reciprocate X's attraction. Yet X has an unshakable feeling Y would make a good match and that checking this is the correct thing to do.
X has learned Y Googled her and read a recent article about X in the New York Times that includes a very flattering color photograph. Not to generalize, but it seems that for men, physical attraction is all that is required to start a gentleman's engines, so if anything will lure him, that photo will. But did it? Will it?
THE CASTING
I asked, "Did Y find X physically attractive?"
Resulting Hexagram: 23
Moving line: 3
Hexagram 23 is usually translated as "Splitting Apart", and the title strikes dread in the beginning Yi student who hopes to pull a loved one closer. I'm in my forties, and I have a different take. I've come to The Pool of Online Clarity Wisdom to see if any wiser minds agree with my analysis or think I'm wrong as wrong ever was. I think this Hexagram does not say, "He finds you repulsive because you are the wrong race" but rather:
"Something about you has awakened the desire in this man to stop living his life as a lie and come out in the open about an attraction that has long secretly tormented him. Seeing your photo has made him think It's time for him to go after what he wants and has always wanted, and he thinks you may be the woman to help him do it. He's long been attracted to women of your background, and he realizes he is not getting any younger and needs to live his life the way he really wants to, now, despite what others think, before it ends. He's making a decision to maybe emerge from 'the closet' and date your kind in the open and tell the world what it can do with its disapproval."
AND WHERE I GOT THIS CONCLUSION
Here's LiSe's translation of 23.3:
"6 at 3: Stripping it. Without fault.
To be yourself, living your own life, making your own decisions, you have to break away from all those people (inside or outside) who tell you how to live. Or even without saying anything, expect you to live according to their views. Even if you choose an absurd life - so what? It is your life."
Leading to 53: Resistance
"Find back the roots of your essential being."
Dreamhawk down in Australia interprets 23.3 as Shedding:
"If there is to be activity, let it be that of shedding what is no longer necessary, of dropping activities only habit keeps alive. Rely only on what can sustain itself through the period of stripping away [...] Even those close may depart and be lost. Who or what is to be trusted? Only that which remains when all else falls away [...] To stand outside all one relied upon for support and expression is to feel naked and alone. Nevertheless it breeds great strength. Look beyond fears and doubts to wisdom of spirit."
Y's plays are often, according to interviews with him and the critiques of those plays, thinly veiled autobiographies. He put an interracial scene with a woman of my national heritage in all of them. In the most famous one, he depicted himself asking one out, then panicking wondering what his friends would say, and standing her up. Shortly after, his character undergoes a violent attack and he reflects in guilt, making it appear the attack was divine punishment.
At the same time, other stage characters of his use offensive names for people of my heritage, and our men are all shown as criminals, and often hanged or shot, which is troubling. As a playwright too I understand what we depict our characters doing does not always reflect what we ourselves believe as writers or people, so I am giving him a little latitude. However, all his wives have been white, so that worries me. He could just be a highly conflicted bigot and I could be opening myself up for some real hurt.
His two closest male buddies are both married to women of my ethnicity! One, and his wife of another race, became a new father two days ago. He was present at the birth and saw in front of him clear proof an interracial relationship can work and that the off-spring are human.
THE HOT BURNING QUESTION O' LOVE:
Is 23.3 an indication Y is having a John Lennon/Yoko Ono moment now that he knows what I look like, and he's beginning to think I'm his "girl with kaleidoscope eyes"?
Or is 23.3 saying, "Racist. Get over him"?
Love,
Your Brambledeetoady
Last edited:
Arabella

I see your interpretation as the Yi going, "Oh [sigh] very well, you silly girl, here is the strict romantic answer to your question," and Arabella's interpretation as the Yi then saying, "Right [as you Brits say], now that's out of the way, here is what you should also be paying attention to, and will serve you in the long term more than this particular handsome silly person and his 'attentions' will."