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57, Subtly Penetrating, as relating hexagram

57, Subtly Penetrating, as relating hexagram

It probably shouldn’t surprise me to discover that 57, Subtly Penetrating, as relating hexagram is very hard to pin down. That seems to be just the nature of the hexagram. But the most general way of looking at a relating hexagram still works here: imagine how the primary hexagram is dealing with the relating hexagram’s… Continue Reading

Three days

Three days
This entry is part 3 of 4 in the series Periods of time

Here’s another period of time mentioned three times in the Yijing: ‘Corruption. Creating success from the source.Fruitful to cross the great river.Before the seed day, three days. After the seed day, three days.’ ‘Brightness hidden, flying away,His wings hanging down.The noble one is on the move,For three days, eats nothing,Has a direction to go.Those in… Continue Reading

Troll Story

Troll Story

In which you will encounter hesitation, second-guessing, repetitious readings, decision, ‘contradictory’ moving lines (what do you do with those?), a good dose of common sense and a particularly persistent troll. Also these readings… Hexagram 18, Corruption, changing at line 3 to 4, Not Knowing: changing to Hexagram 49, Radical Change, changing at lines 2, 3… Continue Reading

A patchwork of hexagrams

A patchwork of hexagrams
This entry is part 2 of 5 in the series The Wings

Introducing the Zagua The Yi became the Yijing, a Classic book, as it grew its Ten Wings: ten bodies of commentary and reflections on the oracle and its hexagrams. The Zagua, ‘Mixed hexagrams’, is the tenth and last of these: a short, simple, rhyming description of the hexagrams in pairs. (Za 雜, ‘mixed’, implies a… Continue Reading

Mountain above

Mountain above
This entry is part 1 of 4 in the series Mountain above

When you’re looking at a hexagram through the lens of its trigrams, I think it’s important to see how they work together, as a trigram picture rather than a dry list of attributes. However, it’s still interesting to single out a trigram and a position (inside or outside), to compare the different ways it can… Continue Reading

Theme and variations

From its first appearance in the first words of the Yi, the creative flow through the four characters yuan heng li zhen is tangible. Its power is felt in the other five hexagrams with the whole, uninterrupted formula. But the natural cohesion of the four-word formula can also be felt in the hexagrams where it… Continue Reading

This means something

A thoroughly useful guiding principle for both diviners and translators: this means something. For diviners with/ translators of the Yijing, the principle needs elaborating: this means something, whether or not I have the faintest glimmerings of a clue what it means. That should really be inscribed in every Yijing book and journal. Probably the most common beginner’s… Continue Reading

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