I talked in a previous post about gen, mountain, as the outer trigram of Hexagrams 4 and 18. There, it ‘nurtures de‘, with a dual obstructing and protecting function that feels something like mentorship. The next appearances of mountain outside come in the 20s, a series of hexagram pairs with… Read more »Mountain above: Hexagrams 22 and 23
I wrote about a core message of Hexagram 23 when it’s your cast hexagram: how it demands a true tabula rasa, not just a ‘rethink’. What about 23 as relating hexagram – what can that mean? Of course, there are 64 different ways a reading can change to Hexagram 23, but… Read more »23 as relating hexagram
The essential message of Stripping Away is devastatingly simple: ‘Stripping away. Fruitless to have a direction to go.’ Your ‘direction to go’ can be whatever plan you have in mind, your purpose or vision or intent, or something as slight as a curiosity to explore in a certain direction. The root… Read more »Hexagram 23 in readings
I wrote about how Stripping Away, in its ideal form as depicted by the Image, might be painless – but that’s not how the process starts, and not our dominant experience of it. Hexagram 23 typically shows up as something you have to undergo; it is fruitless to have a… Read more »Stripping Away: a change of perspective
In a little post on hexagrams and scale I wrote, Just on this blog, I found three readings I’d shared with Hexagram 23. They were, in order: auspices for using a certain technology during a webinar. (I persuaded myself I could use it anyway, and it failed impressively.) foreshadowing my… Read more »The shape of Hexagram 23
The second chapter of David Pankenier’s lovely book, Astrology and Cosmology in Early China – Conforming Earth to Heaven – rejoices in the title, ‘Watching for dragons.’ In it he talks in detail about the dragon of Hexagram 1, and also proposes a whole new idea about why the dragons are fighting in 2.6.… Read more »Why dragons fight in hexagram 2
También disponible en español Hexagram 23 is called Stripping Away. The old character shows a knife, and a less-clear component that might be a well winch or a bag for filtering wine, separating the wine from the dregs. As LiSe shows, that blends into the meaning of the whole. But the knife component… Read more »Could Stripping Away be painless?
