Clarity,
Office 17622,
PO Box 6945,
London.
W1A 6US
United Kingdom
Phone/ Voicemail:
+44 (0)20 3287 3053 (UK)
+1 (561) 459-4758 (US).
The music progresses in groups isolated by silences. The harmonics of the piano and the voice gradually move away from each other, creating more complex and surprising relationships. The dynamics are unvaried, but a feeling of active meditation is established. One feels both the variety induced by chance and, at the same time, the fixed physical relationships (tonality) of the harmonic series. This is like the changing/unchanging nature of the I Ching's eternal advice and its quasi-random method of access. One is reminded of Louis Pasteur's adage that "chance favors the prepared mind."
huh??oh well, not saying any more, waiting for your thoughts
Interesting connection. Most of that was way over my head, but if I consider the value (14) of spaces (rests) in music: what isn't defines what is. It isn't a far reach to extend that likeness to the illumination of heaven.
It's a different - perhaps reversed - value perception. And that, for me, is typical 14 (said with a frustrated grmph..). 14, for me, is usually a piss-me-off hexagram, cuz I typically don't see what's so damned rich about it. I have to reverse my polarity before I can see the light. It's sorta like looking at a negative photo image.
Whatever life throws at me, I walk the line.... "Walk the line" .... Hmmm now there's a catchy ditty for a song title for someome to cash in on.
I guess where you're seeing pessimism I intended as being honest with oneself. Can't see our value until we reveal our own stinkin' thinkin'.
One feels both the variety induced by chance and, at the same time, the fixed physical relationships (tonality) of the harmonic series. This is like the changing/unchanging nature of the I Ching's eternal advice and its quasi-random method of access. One is reminded of Louis Pasteur's adage that "chance favors the prepared mind."
I'm not sure what you're arguing, Mike. If you have a different pov for 14, that's cool. My own view doesn't seem to click with you, which is also fine.
4. Or, when breath is all out (up) and stopped of itself, or all in (down) and stopped - in such universal pause, one's small self vanishes. This is difficult only for the impure.
Like that instant at the top of the swing on the Viking Ship ride at the amusement park?
Hmmm, is it at the top of the swing looking up or looking down? It makes a difference...
Course, while that sounds good there is, as others have pointed out on this site, economies of scale and thus not necessarily lights, music, roll the credits etc.,
urgh Luis... yucky my imagination is too graphic for this!!
Clarity,
Office 17622,
PO Box 6945,
London.
W1A 6US
United Kingdom
Phone/ Voicemail:
+44 (0)20 3287 3053 (UK)
+1 (561) 459-4758 (US).