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41 Decrease and 1 Creative for world $ sitch

solun

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[B]41 Decrease and 1 Creative for world $ sitch[/B]

Decrease (41) and The Creative (1) came up when I asked the i ching about my role as an individual in the current world financial situation.

Akira Rabelais Book of Changes had this to say:

"41. Sun / Decrease

above KêN KEEPING STILL, MOUNTAIN
below TUI THE JOYOUS, LAKE

This hexagram represents a decrease of the lower trigram in favor of the
upper, because the third line, originally strong, has moved up to the top, and
the top line, originally weak, has replaced it. What is below is decreased to
the benefit of what is above. This is out-and-out decrease. If the foundations
of a building are decreased in strength and the upper walls are strengthened,
the whole structure loves its stability. Likewise, a decrease in the prosperity of
the people in favor of the government is out-and-out decrease. And the
entire theme of the hexagram is directed to showing how this shift of wealth
can take place without causing the sources of wealth in the nation and its lower classes to fail.

THE JUDGMENT

DECREASE combined with sincerity
Brings about supreme good fortune
Without blame.
One may be persevering in this.
It furthers one to undertake something.
How is this to be carried out?
One may use two small bowls for the sacrifice.

Decrease does not under all circumstances mean something bad. Increase
and decrease come in their own time. What matters here is to understand
the time and not to try to cover up poverty with empty pretense. If a time of
scanty resources brings out an inner truth, one must not feel ashamed of
simplicity. For simplicity is then the very thing needed to provide inner
strength for further undertakings. Indeed, there need be no concern if the
outward beauty of the civilization, even the elaboration of religious forms,
should have to suffer because of simplicity. One must draw on the strength
of the inner attitude to compensate for what is lacking in externals; then the
power of the content makes up for the simplicity of form. There is no need
of presenting false appearances to God. Even with slender means, the
sentiment of the heart can be expressed.

THE IMAGE

At the foot of the mountain, the lake:
The image of DECREASE.
Thus the superior man controls his anger
And restrains his instincts.

The lake at the foot of the mountain evaporates. In this way it decreases to
the benefit of the mountain, which is enriched by its moisture. The
mountain stands as the symbol of stubborn strength that can harden into
anger. The lake is the symbol of unchecked gaiety that can develop into
passionate drives at the expense of the life forces. Therefore decrease is
necessary; anger must be decreased by keeping still, the instincts must be
curbed by restriction. By this decrease of the lower powers of the psyche, the
higher aspects of the soul are enriched

THE LINES


°Six in the third place means:
When three people journey together,
Their number increases by one.
When one man journeys alone,
He finds a companion.

When there are three people together, jealousy arises. One of them will have
to go. Avery close bond is possible only between two people. But when one
man is lonely, he is certain to find a companion who complements him.

Six in the fourth place means:
If a man deceases his faults,
It makes the other hasten to come and rejoice.
No blame.

A man's faults often prevent even well-disposed people from coming closer
to him. His faults are sometimes reinforced by the environment in which he
lives. But if in humility he can bring himself to the point of giving them up,
he frees his well-disposed friends from an inner pressure and causes them to
approach the more quickly, and there is mutual joy.

° Six in the fifth place means:
Someone does indeed increase him.
Ten pairs of tortoises cannot oppose it.
Supreme good fortune.

If someone is marked out by fate for good fortune, it comes without fail. All
oracles-as for instance those that are read from the shells of tortoises-are
bound to concur in giving him favorable signs. He need fear nothing,
because his luck is ordained from on high."

The changing lines 3,4,5 create hexgram 1 - The Creative
 
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solun

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AR:BOC - The Creative

"1. Ch'ien / The Creative

above CH'IEN THE CREATIVE, HEAVEN
below CH'IEN THE CREATIVE, HEAVEN

The first hexagram is made up of six unbroken lines. These unbroken lines
stand for the primal power, which is light-giving, active, strong, and of the
spirit. The hexagram is consistently strong in character, and since it is
without weakness, its essence is power or energy. Its image is heaven. Its
energy is represented as unrestricted by any fixed conditions in space and is
therefore conceived of as motion. Time is regarded as the basis of this
motion. Thus the hexagram includes also the power of time and the power
of persisting in time, that is, duration.
The power represented by the hexagram is to be interpreted in a dual sense
in terms of its action on the universe and of its action on the world of men.
In relation to the universe, the hexagram expresses the strong, creative action
of the Deity. In relation to the human world, it denotes the creative action of
the holy man or sage, of the ruler or leader of men, who through his power
awakens and develops their higher nature.

THE JUDGMENT

THE CREATIVE works sublime success,
Furthering through perseverance.

According to the original meaning, the attributes [sublimity, potentiality of
success, power to further, perseverance] are paired. When an individual
draws this oracle, it means that success will come to him from the primal
depths of the universe and that everything depends upon his seeking his
happiness and that of others in one way only, that is, by perseverance in what
is right.
The specific meanings of the four attributes became the subject of
speculation at an early date. The Chinese word here rendered by "sublime"
means literally "head," "origin," "great." This is why Confucius says in
explaining it: "Great indeed is the generating power of the Creative; all beings
owe their beginning to it. This power permeates all heaven." For this
attribute inheres in the other three as well.
The beginning of all things lies still in the beyond in the form of ideas that
have yet to become real. But the Creative furthermore has power to lend
form to these archetypes of ideas. This is indicated in the word success, and
the process is represented by an image from nature: "The clouds pass and the
rain does its work, and all individual beings flow into their forms."
Applies to the human world, these attributes show the great man the way to
notable success: "Because he sees with great clarity and cause and effects, he
completes the six steps at the right time and mounts toward heaven on them
at the right time, as though on six dragons." The six steps are the six different
positions given in the hexagram, which are represented later by the dragon
symbol. Here it is shown that the way to success lies in apprehending and
giving actuality to the way of the universe [Tao], which, as a law running
through end and beginning, brings about all phenomena in time. Thus each
step attained forthwith becomes a preparation for the next. Time is no longer
a hindrance but the means of making actual what is potential.
The act of creation having found expression in the two attributes sublimity
and success, the work of conservation is shown to be a continuous
actualization and differentiation of form. This is expressed in the two terms
"furthering" (literally, "creating that which accords with the nature of a
given being") and "persevering" (literally, "correct and firm"). "The course of
the Creative alters and shapes beings until each attains its true, specific
nature, then it keeps them in conformity with the Great Harmony. Thus
does it show itself to further through perseverance."
In relation to the human sphere, this shows how the great man brings peace
and security to the world through his activity in creating order: "He towers
high above the multitude of beings, and all lands are united in peace."
Another line of speculation goes still further in separating the words
"sublime," "success," "furthering," "perseverance," and parallels them with
the four cardinal virtues in humanity. To sublimity, which, as the
fundamental principle, embraces all the other attributes, it links love. To the
attribute success are linked the morals, which regulate and organize
expressions of love and thereby make them successful. The attribute
furthering is correlated with justice, which creates the conditions in which
each receives that which accords with his being, that which is due him and
which constitutes his happiness. The attribute perseverance is correlated
with wisdom, which discerns the immutable laws of all that happens and can
therefore bring about enduring conditions. These speculations, already
broached in the commentary called Wên Yen , later formed the bridge
connecting the philosophy of the "five stages (elements) of change," as laid
down in the Book of History (Shu Ching) with the philosophy of the Book of
Changes, which is based solely on the polarity of positive and negative
principles. In the course of time this combination of the two systems of
thought opened the way for an increasingly intricate number symbolism.

THE IMAGE

The movement of heaven is full of power.
Thus the superior man makes himself strong and
untiring.

Since there is only one heaven, the doubling of the trigram Ch'ien, of which
heaven is the image, indicates the movement of heaven. One complete
revolution of heaven makes a day, and the repetition of the trigram means
that each day is followed by another. This creates the idea of time. Since it is
the same heaven moving with untiring power, there is also created the idea
of duration both in and beyond time, a movement that never stops nor
slackens, just as one day follows another in an unending course. This
duration in time is the image of the power inherent in the Creative.
With this image as a model, the sage learns how best to develop himself so
that his influence may endure. He must make himself strong in every way,
by consciously casting out all that is inferior and degrading. Thus he attains
that tirelessness which depends upon consciously limiting the fields of his
activity."

Why I like the I ching is because it is more of a teacher than an oracle for me.
People often want to know how to manipulate circumstances to their benefit - which is understandable - but how many of us really want to change, to understand what this 'oracle' is saying. It is saying that not only does the world and universe change, but it changes because and when and how we ourselves are willing and devoted to change by our appropriate application of right and universal principles.
 

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