Clarity,
Office 17622,
PO Box 6945,
London.
W1A 6US
United Kingdom
Phone/ Voicemail:
+44 (0)20 3287 3053 (UK)
+1 (561) 459-4758 (US).
'
For those who have asked: my cat is an 18-y-o indoor cat who lost her lifetime companion/littermate a few months ago and who now several times a day runs off to a particular spot in the house and gives a series of loud, sharp little cries that sound like anguish or rage to me, although of course I don't speak cat. Sometimes the reason is clear (water bowl not freshened, junior cat in household eating her food, laptop on my lap instead of her), sometimes I have no idea. I just wish I understood how to make her less unhappy. If she is unhappy.
I believe that there is not bad auspice at all in 8.3, It is an open ended line. Cats can truly be called BRIGANDS or BAD PEOPLE.
suppose that 8.3 said:
JOIN THE BRIGANDS. [NO COMMENTS].
Join the BAD PEOPLE, without comments.
... say you know the consequences and the benefits of such an action, there are promises and there are risks, you choose.
Trojan:It may sound odd but I've known (at least it was my understanding) the 'wrong people' of 8.3 refer to spirits, ghosts, call them what you will. Cats are quite sensitive to these ... Conditioning and de-conditioning perhaps
At bottom, your position is Christian. God made us all spirits in his image, equal and endowed with free will.
Luis:Hmmm, I suppose the line speaks to the inner, most deeply seated nature of an individual... Perhaps it is OK for some to join in with the brigands, specially in the context of the time when it was written.
Barbra:... ... It's really fascinating, getting 8.3 for your cat. Usually it's an anti-social person, one who refuses to join in and who is therefore no help in trouble, who may actually cause more trouble when already there is trouble. Because hex 8 has to do with being together for mutual assistance...
The Iliad, or the poem of the force
The true hero, the true subject, the center of the Iliad is the force.
The force handled by the men, the force that puts under the men, the force before which the meat of the men is irritated. The human soul incessantly appears modified by its relations with the force, dragged, blinded by the force that she believes to have, folded by the pressure of the force that suffers. Those that dreamed that the force, thanks to the progress, belonged already to the past, could see in this poem a document; those that know to discern the force, today like before, in the center of all human history, find in it the most beautiful, purest of the mirrors.
The force is what does of whoever is put under him a thing.
When it is exerted it makes of the man a thing in the most literal sense, because it makes of him a corpse. There is somebody speeching and, a moment later, is nobody. It is a picture that the Iliad does not get tired to present and display.
… the horses making resonate the empty cars by the ways of the war, in duel of its conductors without reproach. They lay on the Earth, of the vultures more loved than of their wives.
The hero is a thing dragged after a car in the dust:
… Around, the black hairs were scattered, and the whole head in the dust lays...
To the bitterness of to such picture we savored pure, without no comforting fiction of immortality, no insipid aureole of glory, or mother country.
His soul outside its members flew, going towards Hades, crying his destiny, leaving his virility and his youth.
More pathetic still, by the painful thing of the resistance, is the sudden evocation, quickly erased, of another world, the distant, precarious and stirring world of Peace, the family, that world where each man is for who surround him what accounts the more.
(to be continued)
Simone Weil´s spanish version of The Greek Source.
From: http://hjg.com.ar/txt/sweil/sw_iliada.html
Clarity,
Office 17622,
PO Box 6945,
London.
W1A 6US
United Kingdom
Phone/ Voicemail:
+44 (0)20 3287 3053 (UK)
+1 (561) 459-4758 (US).