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Blog post: Line positions and the moment of divination

hilary

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Talking about ‘line positions’ sounds painfully dry and academic. (Not least if it makes you think of the formulas about line correspondence and so on.) What to call them instead? ‘Hexagram layers’? Too much like a trifle. Maybe ‘line voices’, or places to stand, ways to engage…
What I’m trying to say (!) is that looking at the positions of the changing lines, just seeing where the action’s happening, is a way they can come to life for you. It can get you started thinking of them as different voices, different people or parts of yourself. I’m more kinaesthetic than visual, so I’m likely to look at a line 3 changing and feel its energy and tension around the diaphragm.
In preparation for our next Change Circle gathering (coming up on August 23rd) when we’ll be looking at readings in the light of which lines are changing, I started running searches in my own journal. I’d bring up all the readings with line 1, or lines 1 and 5 (and so on…) changing, and see what patterns I could recognise. One thing became clear quite quickly – it’s no use looking for patterns in this as you might for a specific hexagram or line text. There’s no situation or theme that all line 1 readings have in common. But it does seem that, each time, the line-1 self is asking the question, or the question arises in a line-1 kind of moment: the positions of the changing lines describes what’s active in the moment of the question.
And this makes sense, because that’s how I would describe the yang pattern of change (the one where you represent each changing line as yang and the unchanging ones as yin): how you enter into the reading, some truth about the moment of divination.
Line 1 questions – for instance – are about things barely beginning. Or, as A.A. Milne put it, ‘When I was one, I had just begun.’ We toy with possibilities, feel our way in – have inklings, don’t analyse them, try something on for a day – more gut feeling than thinking things through.Â* (The yang pattern of change with just line 1 changing: 24, Returning and the Turning Point, closing the borders at winter solstice to listen for the first whispers of germination.)
Line 2 questions seem to me to be about connecting – its attitude reminds me of a toddler’s arm reaching up (and up!) to find an adult’s hand. A lot of these readings happen in the middle of an ongoing relationship – to a person, an issue, an organisation, or even an oracle. The change patterns with line 2 moving are yang 7, the Army, and yin 13, People in Harmony – each in their own way about connections with a purpose.
Instead of plodding on through lines 3-6 one at a time, let me take a detour – what if I have lines 2 and 5 moving? Then – in the examples from my own journal, anyway – I seem to be searching for a balance between what I feel, or what I’m spontaneously drawn to, and what I choose. I have quite a few .2.5 readings about people I read for or support in other ways, and how far to commit myself. Then there’s also one about buying and using a business book from an author I like and admire, when I was wondering how far his ideas would be useful in my (quite weird) business.
The change patterns for a .2.5 reading are yang 29, yin 30: Repeating Chasms and Clarity. I think the key here is ‘holding your heart fast creates success’ – or ‘the connected heart makes the offering.’ The heart is active at line 2, but there also needs to be a deliberate, autonomous choice, connecting lines 2 and 5. Perhaps this begins to weave that net of understanding of Hexagram 30.
So here’s a beginning (a line-1-changing kind of post!) for looking at readings in terms of line positions. More on the 23rd! We spend these calls looking at a few readings people bring along through the lens of one particular interpretive tool. If you’d like to bring a reading, please post it in advance to the call thread. (And if you’re not a Change Circle member, there is of course still time to join!)
 

hilary

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(Oh lumme. I've just managed to fix the rss feeds of my blog, after a couple of months when they were snarled up, and that means the forum is 'catching up' with its automatic copies of posts. I didn't mean to post three at once... :bag:)
 

moss elk

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Please plod through the quality of the line positions 3-6?

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hilary

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I think what you can find at LiSe's site or in Brad's book (both linked in 'further reading' from the handout for the call!) is better than anything I've come up with. But I will plod presently. How could I refuse a face like that?
 

hilary

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OK, plodding...

Line 3 I think of as a 'teenaged' line - I tend to get it when I'm very full of an idea that I've not yet worked out in practice. Lots of eager upward pressure to carry the thing through into reality. Probably some of this is just me, and other people's line 3s will have more trepidation.

(Next question: what's the connection to a yang change pattern of 15, of all things?)

Line 4 - shoulders, shoulder muscles, stretching wings. Just coming out into the reality/ the edge of the nest. Asking clearly, 'What is there for me to do here?' (Yang pattern 16, a desire to get things moving; yin pattern 9, willingness to pick up a spade.)

Line 5 - the ruler's place: choosing. Sometimes I have to think about that for a bit - where is my choice in this? Line 5 readings all seem to be directing my attention to where/ how I am free.

Line 6 - Brad says good things about this - read them! The longer view, learning from something as a whole, realising - or just ending. Yang pattern 23 - maybe the one with an overview is letting go of their own 'direction' for things?
 

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