Clarity,
Office 17622,
PO Box 6945,
London.
W1A 6US
United Kingdom
Phone/ Voicemail:
+44 (0)20 3287 3053 (UK)
+1 (561) 459-4758 (US).
H7.3 <> H46The other day I had asked Yi what I needed to know about my plans, and got 7.3, carrying corpses.
I don't believe you have to do this yourself, but adjusting the plans will take care of thisAnd I really must let go of old habits and grief and give this new start totally fresh energy. get an inner leader on board...
Feeling demoralized, I asked Yi for guidance this morning, "what wisdom can you offer to get through this?"
14.4>26
other threads say this line is about letting go comparison and enjoying the station (minister) one is in.
In no way arrogant as the line 4 text says, shows that the Image's advice is not made visible in the outside world. The will of heaven, as mentioned in the text above, also shows that things do not develop in the time you want them to but according to a "higher" plan.Thus the superior person curbs evil
And promotes good,
Obeying the beneficent will of heaven.
7.3 is in no way a portent of future doom and gloom. Yes, there are corpses in the cart from past endeavours or ways of thinking. You are right when you say to let go. The trap in this line is believing that the corpses must remain there. This line can be seen more as a call to arms. When the going gets tough, the tough get going.The other day I had asked Yi what I needed to know about my plans, and got 7.3, carrying corpses.
So, my 'army' is not well led right now. And I really must let go of old habits and grief and give this new start totally fresh energy. get an inner leader on board...
'Great Harvest' through 'Great Accumulation'Feeling demoralized, I asked Yi for guidance this morning, "what wisdom can you offer to get through this?"
14.4>26
What you have to appreciate is that life's delight comes through true, respectful and honest connection. Right now the going is not so smooth because you are currently connected with too many restless factions*, both inwardly and outwardly."What do I have (14) then, to appreciate?"
8 uc
After reading these responses, I practiced focusing, the energy of gratitude.
Notice a bit of joy here, one there - an hour of blue sky, the bite of fresh apple, a mist from the sea, a warm hat at night, the moon on the water, people laughing in the restaurant where I cooked, saying "good food, good food!" I began saying thank you at night- not to anyone in particular. Thank you, hat, thank you, soup. Thank you, sleep.
It seemed right to pour coffee out in the morning by the river - thank you for the beauty. To pick up a piece of litter, pour out a shot of vodka for the dead.
A few days pass. Some new friends invite me to visit after work. One of them cooked a lavish diner meal - growing up she told us, she had only the likes of canned ravioli and often went hungry due to neglect. Now she studies food, sharing her results with anyone who will eat.
Her wife had stories of a different caliber - surviving institutions and places that should have never existed to begin with. We listened to scattershot tales and accounts, for hours. Some stories were salted with humor and roguish punk delight, and in some she drew clean lines from the systems of oppression that had caged her to those extracting and crushing others as we spoke. Our conversation dredged the depths of human evil, greed and abuse all night, punctuated by cigarettes on the porch. At last it was nearly 4 am. I could feel the ripples of pain in the room - we were all exhausted, raw. Drawing on a technique learned in therapy, I suggested capping the night with something that brought her joy - you have any interests or hobbies?...she told me yes, hold on, and disappeared, emerging a moment later with a huge folder from which she pulled out piece after piece, all drawn in sharpie, telling the story of each as she handed them to me. I held them piled on my lap, silently admiring each one before extending my hand for the next. Explosions of color, contrast, strange twisting figures, saturated, cartoonlike, with jokes and codes etched into the shading. Not academically trained, but audacious, unequivocal. Sharp.
It occured to me that these experiences would have killed most people. And here she was, confident as a demigoddess, calmly recounting them, sometimes giggling, sometimes cutting in with a curse for a particularly awful person or place. As the pile grew on my lap, I felt a sensation like blue fire spreading through my body. It was as through my body was the mast of a shipnand her emotions were St. Elmo's Fire running over it. I could see, feel the shape of my creative spirit as hers flared out against it.
"I am an artist," she said, looking straight into my eyes.
It's rare for me to feel moved by human encounters enough to /need/ to make art in response or spend hard earned money. As the moon rose and set that night, I found a new meaning of in-spiration. I asked would she sell this one, and these? and left with 3 of her pieces for what cash I had + an IOU.
My own art practice has been dead awhile, or at least dormant. Sleeping under a layer of cynicism formed of witnessing human suffering, and feeling powerless to help it.
As a kid, I used art to process emotion, catalogue my life, the world around me, my dreams and thoughts. I countered my sense of invisibility with a determination to leave a record of my inner life, like those diaries left by survivors of atrocity and studied by historians. As adulthood has its way with me, this dream began. Who cares? About the petty details of your life? Against the weight of the world's pain and crisis, the pandemic, gentrification, greed, climate disaster, genocide... my art shrunk to something insular and selfish. Why wasn't I pursuing a helpful career, a life of service? What is one petulant suburban kid's perspective worth, when so many people have nowhere to sleep or nothing to eat?
Like every lost soul, of course I looked to drugs and other extreme experiences to counter this pain. As usual they failed to soothe the central wound - that hardness of tough luck. The people who raised me, hell, most people! felt closed off, lifeless, not at home. Were their hearts inaccessible? Was my approach all wrong? I fled home. Failed love and betrayal pushed me against the edges of my faith, that sharp cold edge of inner hunger. On the road I met the twin voids of lovelessness and hopelessness that Dr. Gabor Mate names as the root of addiction in "The Realm of Hungry Ghosts." A book that strangely another friend had given to me this same week.
In collision with this sensitive & jaded soul who not only survived these voids but converted herself into a creature capable of surviving in them like a tardigrade - in witnessing her creative dialogue with life, was a flash like lightning. By it, I saw the real, animal shape my art could take - not as a tool in command of my ego, but a hand in the dark, tugging a heart back from the void. A warm meal. A bonfire on a cold, wet night.
Professional accolades or lack thereof, moral qualms, philosophical disagreements - in an instant I knew none of that could erase the respect this artist friend inspired in me. Her existence spoke for itself. It said, **** you, I'm still alive and having fun.
That night cast some sparks of real hope on my burnt out campfire - not reassurance or optimism, but the courage a battle weary young soldier might find upon meeting the veteran of an earlier war.
I guess you could call that a miracle.
Clarity,
Office 17622,
PO Box 6945,
London.
W1A 6US
United Kingdom
Phone/ Voicemail:
+44 (0)20 3287 3053 (UK)
+1 (561) 459-4758 (US).